Esthetic AnalysisT.Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 38
Pagina 40
... scheme . And it would be impossible to generalize were not the particular elements so related , in definitely indicated ways , that our scheme of them may represent the dis- cerned order of their actual nature and therefore be directed ...
... scheme . And it would be impossible to generalize were not the particular elements so related , in definitely indicated ways , that our scheme of them may represent the dis- cerned order of their actual nature and therefore be directed ...
Pagina 52
... scheme . But the ordinary scheme definitely includes it , and its name , instead of removing it from the scheme , fairly in- dicates its place there , provided we attend to its character- istic meaning and not merely to the name itself ...
... scheme . But the ordinary scheme definitely includes it , and its name , instead of removing it from the scheme , fairly in- dicates its place there , provided we attend to its character- istic meaning and not merely to the name itself ...
Pagina 76
... scheme of intervals defined for us in the very nature of musical sound , but abstracted from this concrete objective presence to sense in a scheme of abstract relations or pitch intervals . This is a scheme not discernible anywhere but ...
... scheme of intervals defined for us in the very nature of musical sound , but abstracted from this concrete objective presence to sense in a scheme of abstract relations or pitch intervals . This is a scheme not discernible anywhere but ...
Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length loudness means Mediant merely musical scale nature notes obvious octave one-two particular perception phatically physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific strictly string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words