Esthetic AnalysisT.Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 23
Pagina 64
... selected for us by nature . To follow through and to decide on them all took a long time . The scheme was partly ... selection of the scale notes , human ears were guided by the nature of the physical conditions of sound production . We ...
... selected for us by nature . To follow through and to decide on them all took a long time . The scheme was partly ... selection of the scale notes , human ears were guided by the nature of the physical conditions of sound production . We ...
Pagina 137
... selected elements in a series , all of whose elements lie in this single order . Hence their relation is itself related to all the other relations in the series , and , as concretely exhibited , becomes necessarily and for direct ...
... selected elements in a series , all of whose elements lie in this single order . Hence their relation is itself related to all the other relations in the series , and , as concretely exhibited , becomes necessarily and for direct ...
Pagina 138
... selected elements in specific relations to one another , as measured within the serial orders , to which they allow us to give units of qualitative distance . These patterns too are abstract , and they are palpably ele- mentary ...
... selected elements in specific relations to one another , as measured within the serial orders , to which they allow us to give units of qualitative distance . These patterns too are abstract , and they are palpably ele- mentary ...
Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length loudness means Mediant merely musical scale nature notes obvious octave one-two particular perception phatically physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific strictly string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words