Esthetic Analysis |
Dall'interno del libro
Risultati 1-3 di 29
Pagina 64
It is these familiar natural facts about the determinately timed vibration rates of physical things , and their correlations with higher and lower pitches in the sounds emitted , that have selected for us out of the continuum of pitch ...
It is these familiar natural facts about the determinately timed vibration rates of physical things , and their correlations with higher and lower pitches in the sounds emitted , that have selected for us out of the continuum of pitch ...
Pagina 137
They are related palpably in virtue of an ordered aspect of their own nature , related as two selected elements in a series , all of whose elements lie in this single order . Hence their relation is itself related to all the other ...
They are related palpably in virtue of an ordered aspect of their own nature , related as two selected elements in a series , all of whose elements lie in this single order . Hence their relation is itself related to all the other ...
Pagina 138
fold , and hence , with any selected elements of it forms a larger structure . Exactly so of color variations and sounds . Colors are in brightness and sounds are in pitch just as lines and figures are in space .
fold , and hence , with any selected elements of it forms a larger structure . Exactly so of color variations and sounds . Colors are in brightness and sounds are in pitch just as lines and figures are in space .
Cosa dicono le persone - Scrivi una recensione
Nessuna recensione trovata nei soliti posti.
Parole e frasi comuni
abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspects attention basic basis become body called character characteristic clear clearly color complex concrete conscious constitute counts course criticism defined definitely determinate direct directly discriminating distinct distinguished division Dominant duration effect elements example exhibited experience expressive fact familiar feeling felt field follow formal fully function fundamental give given grasp grouping hence human indicated individual intelligible intensity interest intervals intrinsic involved knowledge least length less limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure suggested surface syllables systematic taken temporal pattern things tion Tonic variations various verse vibration whole