Esthetic Analysis |
Dall'interno del libro
Risultati 1-3 di 56
Pagina 6
It is not merely distinguished by one of the senses , but felt emotionally in its full present character . ... our attention being on a situation not here and now given through sense , but up in relation to something that we want to do ...
It is not merely distinguished by one of the senses , but felt emotionally in its full present character . ... our attention being on a situation not here and now given through sense , but up in relation to something that we want to do ...
Pagina 113
Those who speak of a rhythm of sense as well as a rhythm of sound merely confuse issues by confusing terms and their meanings . Rhythm is not divorced from sense ; but if it is to be apprehended through sound , then we should show how ...
Those who speak of a rhythm of sense as well as a rhythm of sound merely confuse issues by confusing terms and their meanings . Rhythm is not divorced from sense ; but if it is to be apprehended through sound , then we should show how ...
Pagina 114
counts verse on ness in the sense of an impossible and meaningless omniscience , depends on clear and definite accounts of distinguishable aspects , integral to concrete structure . It is only clouded or precluded by the repeated naming ...
counts verse on ness in the sense of an impossible and meaningless omniscience , depends on clear and definite accounts of distinguishable aspects , integral to concrete structure . It is only clouded or precluded by the repeated naming ...
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Parole e frasi comuni
abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspects attention basic basis become body called character characteristic clear clearly color complex concrete conscious constitute counts course criticism defined definitely determinate direct directly discriminating distinct distinguished division Dominant duration effect elements example exhibited experience expressive fact familiar feeling felt field follow formal fully function fundamental give given grasp grouping hence human indicated individual intelligible intensity interest intervals intrinsic involved knowledge least length less limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure suggested surface syllables systematic taken temporal pattern things tion Tonic variations various verse vibration whole