Esthetic AnalysisT.Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 27
Pagina 30
... sensuous elements that are not distinctly intelligible , though they are em- phatically present and clearly discernible . Smells and tastes are obviously æsthetic , even though we do not — at least as yet recognize their qualitative ...
... sensuous elements that are not distinctly intelligible , though they are em- phatically present and clearly discernible . Smells and tastes are obviously æsthetic , even though we do not — at least as yet recognize their qualitative ...
Pagina 42
... sensuous elements , namely sensuous relations . It will be clear too that both the elements and the relations are abstract , that is , distinguishable aspects of the concrete sensory content , but not experienced separately from it ...
... sensuous elements , namely sensuous relations . It will be clear too that both the elements and the relations are abstract , that is , distinguishable aspects of the concrete sensory content , but not experienced separately from it ...
Pagina 146
... sensuous aspects of works of art is even a distraction precluding the apprehension of their es- sential nature . It has thus become hard for us to realize that the merely sensuous , meaning something that is solely sensuous , is not ...
... sensuous aspects of works of art is even a distraction precluding the apprehension of their es- sential nature . It has thus become hard for us to realize that the merely sensuous , meaning something that is solely sensuous , is not ...
Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length loudness means Mediant merely musical scale nature notes obvious octave one-two particular perception phatically physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific strictly string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words