Esthetic Analysis |
Dall'interno del libro
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Pagina 147
It fails to be the whole world simply because of human limitations in range of apprehension , not through human thought processes , engaged in non - ästhetic response to discriminate spe, cific aspects out of the presentation and ...
It fails to be the whole world simply because of human limitations in range of apprehension , not through human thought processes , engaged in non - ästhetic response to discriminate spe, cific aspects out of the presentation and ...
Pagina 148
This qualitative presence simply is the way the world feels to us through our senses as instrumentalities of conscious apprehension . Pale blue feels milder than Aaming red just as definitely and accurately as it feels pale blue .
This qualitative presence simply is the way the world feels to us through our senses as instrumentalities of conscious apprehension . Pale blue feels milder than Aaming red just as definitely and accurately as it feels pale blue .
Pagina 195
This sort of ignorance of the actual concrete nature of the world that we live in in conscious life is likely to be condoned , simply because the knowledge that would remove it is so available and potentially so common a possession .
This sort of ignorance of the actual concrete nature of the world that we live in in conscious life is likely to be condoned , simply because the knowledge that would remove it is so available and potentially so common a possession .
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Parole e frasi comuni
abstract accent actual adequate æsthetic analysis appears apply apprehended artists aspects attention basic basis become body called character characteristic clear clearly color complex concrete conscious constitute counts course criticism defined definitely determinate direct directly discriminating distinct distinguished division Dominant duration effect elements example exhibited experience expressive fact familiar feeling felt field follow formal fully function fundamental give given grasp grouping hence human indicated individual intelligible intensity interest intervals intrinsic involved knowledge least length less limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure suggested surface syllables systematic taken temporal pattern things tion Tonic variations various verse vibration whole