Esthetic AnalysisT.Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 42
Pagina 147
... simply because of human limitations in range of apprehension , not through human thought proc- esses , engaged in non - æsthetic response to discriminate spe- cific aspects out of the presentation and neglect the rest . This is the ...
... simply because of human limitations in range of apprehension , not through human thought proc- esses , engaged in non - æsthetic response to discriminate spe- cific aspects out of the presentation and neglect the rest . This is the ...
Pagina 148
... simply is the way the world feels to us through our senses as instrumentalities of conscious apprehension . Pale blue feels milder than flaming red just as definitely and accurately as it feels pale blue . Qualitative terms are thus ...
... simply is the way the world feels to us through our senses as instrumentalities of conscious apprehension . Pale blue feels milder than flaming red just as definitely and accurately as it feels pale blue . Qualitative terms are thus ...
Pagina 195
... simply because the knowledge that would re- move it is so available and potentially so common a pos- session . But it is a little stupid of us to forget the function of æsthetic theory in enlarging and refining and sys- tematizing every ...
... simply because the knowledge that would re- move it is so available and potentially so common a pos- session . But it is a little stupid of us to forget the function of æsthetic theory in enlarging and refining and sys- tematizing every ...
Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length loudness means Mediant merely musical scale nature notes obvious octave one-two particular perception phatically physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific strictly string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words