Esthetic AnalysisT.Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 35
Pagina 46
... single sound , a note has to be at a particular pitch ; and to be at a particular pitch is to be at a point fixed in the single series of all the pitches that there are . The important fact for æsthetics is not merely that a musical ...
... single sound , a note has to be at a particular pitch ; and to be at a particular pitch is to be at a point fixed in the single series of all the pitches that there are . The important fact for æsthetics is not merely that a musical ...
Pagina 135
... single range of hues and in a single ordered series of degrees of brightness . And to hear a note at a particular pitch is to hear a note in its relation to any and every other note , as higher or lower than this other note by a ...
... single range of hues and in a single ordered series of degrees of brightness . And to hear a note at a particular pitch is to hear a note in its relation to any and every other note , as higher or lower than this other note by a ...
Pagina 179
... single presentations . Otherwise they are simply not single things at all , not individual works of art , not any- thing determinate and distinguishable from other things . And coherence in works of art is achieved in many ways by many ...
... single presentations . Otherwise they are simply not single things at all , not individual works of art , not any- thing determinate and distinguishable from other things . And coherence in works of art is achieved in many ways by many ...
Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length loudness means Mediant merely musical scale nature notes obvious octave one-two particular perception phatically physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific strictly string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words