Esthetic Analysis |
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Risultati 1-3 di 35
Pagina 46
By virtue of being what we call a single sound , a note has to be at a particular pitch ; and to be at a particular pitch is to be at a point fixed in the single series of all the pitches that there are .
By virtue of being what we call a single sound , a note has to be at a particular pitch ; and to be at a particular pitch is to be at a point fixed in the single series of all the pitches that there are .
Pagina 135
All musical sounds are in one single pitch series , as all the variations of color are in a single range of hues and in a single ordered series of degrees of brightness . And to hear a note at a particular pitch is to hear a note in its ...
All musical sounds are in one single pitch series , as all the variations of color are in a single range of hues and in a single ordered series of degrees of brightness . And to hear a note at a particular pitch is to hear a note in its ...
Pagina 179
One of these is that they be coherent enough to be single presentations . Otherwise they are simply not single things at all , not individual works of art , not anything determinate and distinguishable from other things .
One of these is that they be coherent enough to be single presentations . Otherwise they are simply not single things at all , not individual works of art , not anything determinate and distinguishable from other things .
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Parole e frasi comuni
abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspects attention basic basis become body called character characteristic clear clearly color complex concrete conscious constitute counts course criticism defined definitely determinate direct directly discriminating distinct distinguished division Dominant duration effect elements example exhibited experience expressive fact familiar feeling felt field follow formal fully function fundamental give given grasp grouping hence human indicated individual intelligible intensity interest intervals intrinsic involved knowledge least length less limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure suggested surface syllables systematic taken temporal pattern things tion Tonic variations various verse vibration whole