Esthetic AnalysisT.Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 39
Pagina 15
... spatial structure , as itself con- stituted by strictly qualitative relations , relations intrinsic to the nature of colors themselves as distinct from their spatial spread . We may suppose a flat disk , white in the center , which is ...
... spatial structure , as itself con- stituted by strictly qualitative relations , relations intrinsic to the nature of colors themselves as distinct from their spatial spread . We may suppose a flat disk , white in the center , which is ...
Pagina 53
... spatial pattern can be sensuously present . Even figures in geometry must be black against white or gray if they are ... spatial character as spatial character is to the presentation of elements of color , or duration and succession in a ...
... spatial pattern can be sensuously present . Even figures in geometry must be black against white or gray if they are ... spatial character as spatial character is to the presentation of elements of color , or duration and succession in a ...
Pagina 56
David Wight Prall. sound and intrinsic to color . We have spoken of spatial and temporal orders as intrinsic to elements that are spatial and temporal . And we have noticed that for actual concretely apparent surfaces for ear and eye we ...
David Wight Prall. sound and intrinsic to color . We have spoken of spatial and temporal orders as intrinsic to elements that are spatial and temporal . And we have noticed that for actual concretely apparent surfaces for ear and eye we ...
Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length loudness means Mediant merely musical scale nature notes obvious octave one-two particular perception phatically physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific strictly string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words