Esthetic AnalysisT.Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 41
Pagina 186
... specific determinations of which in a given case constitute the pattern of any actual play . Individual interest and expressiveness are no more determinately definable in the broad terms of a general definition than is the specific ...
... specific determinations of which in a given case constitute the pattern of any actual play . Individual interest and expressiveness are no more determinately definable in the broad terms of a general definition than is the specific ...
Pagina 193
David Wight Prall. specific felt character to the features and to the whole . What is thus presented is not only ... specific and concrete em- bodiment of feeling any one of them is than is expressible in these indeterminate words ...
David Wight Prall. specific felt character to the features and to the whole . What is thus presented is not only ... specific and concrete em- bodiment of feeling any one of them is than is expressible in these indeterminate words ...
Pagina 202
... specific works of art have , and to what degree they have them , it is plain that the ade- quately functioning critic will have a whole set of such criteria at his disposal to apply . It is equally plain that the standards cited in the ...
... specific works of art have , and to what degree they have them , it is plain that the ade- quately functioning critic will have a whole set of such criteria at his disposal to apply . It is equally plain that the standards cited in the ...
Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length loudness means Mediant merely musical scale nature notes obvious octave one-two particular perception phatically physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific strictly string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words