Esthetic AnalysisT.Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 11
Pagina 64
... string pro- duces a higher sound than a longer stretched string . And obviously any part of a string in vibration would sound a higher pitch than the whole of the same string , simply because the part is smaller than the whole and ...
... string pro- duces a higher sound than a longer stretched string . And obviously any part of a string in vibration would sound a higher pitch than the whole of the same string , simply because the part is smaller than the whole and ...
Pagina 65
... string produces a sound , although a great deal of what we hear is at the pitch corresponding to the vibration rate of the whole string , a large part of it also is at the various pitches cor- responding to the vibration rates of the ...
... string produces a sound , although a great deal of what we hear is at the pitch corresponding to the vibration rate of the whole string , a large part of it also is at the various pitches cor- responding to the vibration rates of the ...
Pagina 67
... string into halves doubles the vibration rate , and into thirds multiplies the rate by three , instead of speaking of a note with pitch corresponding to the vibration rate of half the string length , we can speak of this same note as at ...
... string into halves doubles the vibration rate , and into thirds multiplies the rate by three , instead of speaking of a note with pitch corresponding to the vibration rate of half the string length , we can speak of this same note as at ...
Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length loudness means Mediant merely musical scale nature notes obvious octave one-two particular perception phatically physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific strictly string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words