Esthetic AnalysisT.Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 88
Pagina 53
... structure , carry structure in their very nature . But without visually perceptible , that is to say colored , area , no spatial pattern can be sensuously present . Even figures in geometry must be black against white or gray if they ...
... structure , carry structure in their very nature . But without visually perceptible , that is to say colored , area , no spatial pattern can be sensuously present . Even figures in geometry must be black against white or gray if they ...
Pagina 79
... structural basis as geometry . The fundamental pitch continuum is one necessary con- dition of this basic scale structure ; the nature of the pro- duction of a musical sound , with its partials , is another . And it is this natural ...
... structural basis as geometry . The fundamental pitch continuum is one necessary con- dition of this basic scale structure ; the nature of the pro- duction of a musical sound , with its partials , is another . And it is this natural ...
Pagina 137
... structure when any other such elements are selected and added to the two constitut- ing the original structural contrast . The case is not roughly analogous , merely , but essen- tially the same , as that of spatial elements . In a ...
... structure when any other such elements are selected and added to the two constitut- ing the original structural contrast . The case is not roughly analogous , merely , but essen- tially the same , as that of spatial elements . In a ...
Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length loudness means Mediant merely musical scale nature notes obvious octave one-two particular perception phatically physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific strictly string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words