Esthetic AnalysisT.Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 21
Pagina 19
... suggested are not only sensuous but emotionally toned , and the structural relations are sensu- ous relations apprehended sensuously and with feeling . Thus we run no risk of formalizing the subject in such a way as to neglect the ...
... suggested are not only sensuous but emotionally toned , and the structural relations are sensu- ous relations apprehended sensuously and with feeling . Thus we run no risk of formalizing the subject in such a way as to neglect the ...
Pagina 22
... suggested ; by saying that asthetic objects are structures dependent on relations , some of which are qualitative and not numerical or spatio- temporal . For any full grasp of the significance of such relations , whether in composing or ...
... suggested ; by saying that asthetic objects are structures dependent on relations , some of which are qualitative and not numerical or spatio- temporal . For any full grasp of the significance of such relations , whether in composing or ...
Pagina 82
... suggested single colors , but also such color contrasts and harmonies as various natural appearances in the world suggested and made familiar to men and acceptable — the yellow of gold or the brilliance of jewels against flesh or ...
... suggested single colors , but also such color contrasts and harmonies as various natural appearances in the world suggested and made familiar to men and acceptable — the yellow of gold or the brilliance of jewels against flesh or ...
Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate ęsthetic analysis ęsthetic content ęsthetic objects ęsthetic surface ęsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length loudness means Mediant merely musical scale nature notes obvious octave one-two particular perception phatically physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific strictly string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words