Esthetic Analysis |
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Pagina 19
For the elehave far suggested are not only sensuous but emotionally toned , and the structural relations are sensuous relations apprehended sensuously and with feeling . Thus we run no risk of formalizing the subject in such a way as to ...
For the elehave far suggested are not only sensuous but emotionally toned , and the structural relations are sensuous relations apprehended sensuously and with feeling . Thus we run no risk of formalizing the subject in such a way as to ...
Pagina 22
All that they show here is what is meant , in the cases suggested ; by saying that ęsthetic objects are structures dependent on relations , some of which are qualitative and not numerical or spatiotemporal .
All that they show here is what is meant , in the cases suggested ; by saying that ęsthetic objects are structures dependent on relations , some of which are qualitative and not numerical or spatiotemporal .
Pagina 82
It is equally plain that a great deal of painting sought , even in color itself , not merely naturally suggested single colors , but also such color contrasts and harmonies as various natural appearances in the world suggested and made ...
It is equally plain that a great deal of painting sought , even in color itself , not merely naturally suggested single colors , but also such color contrasts and harmonies as various natural appearances in the world suggested and made ...
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abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspects attention basic basis become body called character characteristic clear clearly color complex concrete conscious constitute counts course criticism defined definitely determinate direct directly discriminating distinct distinguished division Dominant duration effect elements example exhibited experience expressive fact familiar feeling felt field follow formal fully function fundamental give given grasp grouping hence human indicated individual intelligible intensity interest intervals intrinsic involved knowledge least length less limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure suggested surface syllables systematic taken temporal pattern things tion Tonic variations various verse vibration whole