Esthetic AnalysisT.Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 9
Pagina 96
... syllables . There are pauses of various durations between and even within words , and the syllables themselves vary in the time that their sounds occupy , so that the temporal pattern is not exclusively that of the number of syllables ...
... syllables . There are pauses of various durations between and even within words , and the syllables themselves vary in the time that their sounds occupy , so that the temporal pattern is not exclusively that of the number of syllables ...
Pagina 122
... syllables in English words , and some of the more obvious requirements made by conventional English accent on particular syllables . The word sessions , for example , requires an accent on the first syllable ; it also requires more time ...
... syllables in English words , and some of the more obvious requirements made by conventional English accent on particular syllables . The word sessions , for example , requires an accent on the first syllable ; it also requires more time ...
Pagina 126
... syllable of Welshman taking two counts , and thief taking either two , with two rests , or held out to fill more of ... syllables in much shorter time than normal speech would allow . But of course the classic jingles are classic just ...
... syllable of Welshman taking two counts , and thief taking either two , with two rests , or held out to fill more of ... syllables in much shorter time than normal speech would allow . But of course the classic jingles are classic just ...
Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate ęsthetic analysis ęsthetic content ęsthetic objects ęsthetic surface ęsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length loudness means Mediant merely musical scale nature notes obvious octave one-two particular perception phatically physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific strictly string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words