Esthetic Analysis |
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Risultati 1-3 di 9
Pagina 96
And , since the syllables of verse are sounding events that come one after another in time , they are obviously in an order of temporal succession . But this is not their only temporal aspect . In reading verse we do not fill all of the ...
And , since the syllables of verse are sounding events that come one after another in time , they are obviously in an order of temporal succession . But this is not their only temporal aspect . In reading verse we do not fill all of the ...
Pagina 122
in a great а of finished verse , but some obvious differences in the temporal duration of syllables in English words , and some of the more obvious requirements made by conventional English accent on particular syllables .
in a great а of finished verse , but some obvious differences in the temporal duration of syllables in English words , and some of the more obvious requirements made by conventional English accent on particular syllables .
Pagina 126
... one - twothree - four , with each syllable of Welshman taking two counts , and thief taking either two , with two ... the wrong syllables , and the grouping of several syllables in much shorter time than normal speech would allow .
... one - twothree - four , with each syllable of Welshman taking two counts , and thief taking either two , with two ... the wrong syllables , and the grouping of several syllables in much shorter time than normal speech would allow .
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Parole e frasi comuni
abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspects attention basic basis become body called character characteristic clear clearly color complex concrete conscious constitute counts course criticism defined definitely determinate direct directly discriminating distinct distinguished division Dominant duration effect elements example exhibited experience expressive fact familiar feeling felt field follow formal fully function fundamental give given grasp grouping hence human indicated individual intelligible intensity interest intervals intrinsic involved knowledge least length less limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure suggested surface syllables systematic taken temporal pattern things tion Tonic variations various verse vibration whole