Esthetic AnalysisT.Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 34
Pagina 9
... taken on its distinctive character . This is immediate quality , directly felt as the unifying completion of the process of emotional perception . And to any conscious perception at all some degree of emotion is requisite , if it is no ...
... taken on its distinctive character . This is immediate quality , directly felt as the unifying completion of the process of emotional perception . And to any conscious perception at all some degree of emotion is requisite , if it is no ...
Pagina 122
... taken for the first syllable . It will be found that this measure of three short counts is customary in a great deal of English speech . To discern this grouping into three counts a sure sense of regularity in a rapid count of three is ...
... taken for the first syllable . It will be found that this measure of three short counts is customary in a great deal of English speech . To discern this grouping into three counts a sure sense of regularity in a rapid count of three is ...
Pagina 173
... taken as basic , and the type of rela- tions native to them , or to which they are susceptible . Its purpose differs in being limited to general acquaintance with qualitative presentations instead of with quantitative measures of ...
... taken as basic , and the type of rela- tions native to them , or to which they are susceptible . Its purpose differs in being limited to general acquaintance with qualitative presentations instead of with quantitative measures of ...
Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length loudness means Mediant merely musical scale nature notes obvious octave one-two particular perception phatically physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific strictly string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words