Esthetic Analysis |
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Pagina 9
Once we have taken definitely into account this unequivocally emotional character of directly intuited qualitative presentation , there is no great danger of misconception in marking off the ęsthetic as simply the top level of all that ...
Once we have taken definitely into account this unequivocally emotional character of directly intuited qualitative presentation , there is no great danger of misconception in marking off the ęsthetic as simply the top level of all that ...
Pagina 122
Not that sions is necessarily held out quite so long as this , but that one does not start another word following sessions , until three equal counts have been filled out , each of the length of time taken for the first syllable .
Not that sions is necessarily held out quite so long as this , but that one does not start another word following sessions , until three equal counts have been filled out , each of the length of time taken for the first syllable .
Pagina 173
Its content differs from the content of other fields of knowledge in the nature of the elements that are taken as basic , and the type of relations native to them , or to which they are susceptible . Its 7 purpose differs in being ...
Its content differs from the content of other fields of knowledge in the nature of the elements that are taken as basic , and the type of relations native to them , or to which they are susceptible . Its 7 purpose differs in being ...
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abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspects attention basic basis become body called character characteristic clear clearly color complex concrete conscious constitute counts course criticism defined definitely determinate direct directly discriminating distinct distinguished division Dominant duration effect elements example exhibited experience expressive fact familiar feeling felt field follow formal fully function fundamental give given grasp grouping hence human indicated individual intelligible intensity interest intervals intrinsic involved knowledge least length less limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure suggested surface syllables systematic taken temporal pattern things tion Tonic variations various verse vibration whole