AEsthetic Analysis |
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Risultati 1-3 di 39
Pagina 103
For of phatically characteristic of our concrete experience of that necessity the
grasp of the pattern varies in definiteness and adequacy with the degree of
attention to the precise falling of the point of division on the single line of temporal
...
For of phatically characteristic of our concrete experience of that necessity the
grasp of the pattern varies in definiteness and adequacy with the degree of
attention to the precise falling of the point of division on the single line of temporal
...
Pagina 112
It is also true that even the temporal patterns of speech are less strictly measured
and less explicitly felt as specific ... But there can hardly be any question as to
there being a clearly felt temporal pattern in verse in just the sense in which there
...
It is also true that even the temporal patterns of speech are less strictly measured
and less explicitly felt as specific ... But there can hardly be any question as to
there being a clearly felt temporal pattern in verse in just the sense in which there
...
Pagina 119
Even for those who are to follow it , it is not a matter merely of seeing gestures ,
but of grasping a temporal scheme first ... describe the measure and number of
the musical rhythm , what corresponds to the basic temporal pattern of verse with
...
Even for those who are to follow it , it is not a matter merely of seeing gestures ,
but of grasping a temporal scheme first ... describe the measure and number of
the musical rhythm , what corresponds to the basic temporal pattern of verse with
...
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Parole e frasi comuni
abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspects attention basic become body called character characteristic clear clearly color complex concrete conscious constitute counts course criticism defined definitely determinate direct directly discriminating distinct distinguished division Dominant duration effect elements example exhibited experience expressive fact familiar feeling felt field follow formal fully function fundamental give given grasp grouping hence human indicated individual intelligible intensity interest intervals intrinsic involved knowledge least length less limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure suggested surface syllables systematic taken temporal pattern things tion Tonic variations various verse vibration whole