Esthetic AnalysisT.Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 29
Pagina 2
... theory is emptiness or imaginative fiction , just as a perfectly pure intellectual motive would be no motive . For a motive has a degree of determinateness and in the end is properly named not by the imagined goal which its ignorance ...
... theory is emptiness or imaginative fiction , just as a perfectly pure intellectual motive would be no motive . For a motive has a degree of determinateness and in the end is properly named not by the imagined goal which its ignorance ...
Pagina 204
... theory that we have followed through is worse than useless unless it is filled out at every point with the actualities it pur- ports to discuss . Esthetics itself is theory , not apprecia- tive æsthetic experience ; but it is in large ...
... theory that we have followed through is worse than useless unless it is filled out at every point with the actualities it pur- ports to discuss . Esthetics itself is theory , not apprecia- tive æsthetic experience ; but it is in large ...
Pagina 207
... theory , 92 Esthetic response , 20 , 147 Esthetic surface , 6 , 9 Esthetics , its subject matter , 2 , 9 , 26 , 172 , Ch . I ; its func- tion , 169 ; distinguished from the beautiful , 3 , 10 , 43 , from the fine arts , 4 , 26 , from ...
... theory , 92 Esthetic response , 20 , 147 Esthetic surface , 6 , 9 Esthetics , its subject matter , 2 , 9 , 26 , 172 , Ch . I ; its func- tion , 169 ; distinguished from the beautiful , 3 , 10 , 43 , from the fine arts , 4 , 26 , from ...
Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length loudness means Mediant merely musical scale nature notes obvious octave one-two particular perception phatically physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific strictly string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words