Esthetic AnalysisT.Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 31
Pagina 61
... various as the modes of intelligent mind may be . For intelligence has one sole aim that defines its nature . That is to say , we require some de- gree of familiar intimacy with our world ; and since we are human beings , it is humanly ...
... various as the modes of intelligent mind may be . For intelligence has one sole aim that defines its nature . That is to say , we require some de- gree of familiar intimacy with our world ; and since we are human beings , it is humanly ...
Pagina 108
... various traditional ways , indicate clearly anything about the general nature of temporal pat- tern in music , except that there must be fixed lengths of duration for the notes relatively to one another , and a measure with a pattern of ...
... various traditional ways , indicate clearly anything about the general nature of temporal pat- tern in music , except that there must be fixed lengths of duration for the notes relatively to one another , and a measure with a pattern of ...
Pagina 140
... various species of counterpoint . For practice , a student colors a simple spatial design with variations limited , say , to three hues all at the same degree of brightness and of saturation . But these are exercises to gain familiarity ...
... various species of counterpoint . For practice , a student colors a simple spatial design with variations limited , say , to three hues all at the same degree of brightness and of saturation . But these are exercises to gain familiarity ...
Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length loudness means Mediant merely musical scale nature notes obvious octave one-two particular perception phatically physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific strictly string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words