Esthetic Analysis |
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Pagina 61
Nor should we be blind to the fact that such achieved intelligibility is the exclusive ideal of our minds as intelligence ; various as the modes of intelligent mind may be . For intelligence has one sole aim that defines its nature .
Nor should we be blind to the fact that such achieved intelligibility is the exclusive ideal of our minds as intelligence ; various as the modes of intelligent mind may be . For intelligence has one sole aim that defines its nature .
Pagina 108
And not all of the conventions , though they may be musically significant in various traditional ways , indicate clearly anything about the general nature of temporal pattern in music , except that there must be fixed lengths of ...
And not all of the conventions , though they may be musically significant in various traditional ways , indicate clearly anything about the general nature of temporal pattern in music , except that there must be fixed lengths of ...
Pagina 140
For practice we may write sonnets or quatrains to see how words and ideas will fit into these historically defined forms , or chord progressions or exercises in the various species of counterpoint . For practice , a student colors a ...
For practice we may write sonnets or quatrains to see how words and ideas will fit into these historically defined forms , or chord progressions or exercises in the various species of counterpoint . For practice , a student colors a ...
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Parole e frasi comuni
abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspects attention basic basis become body called character characteristic clear clearly color complex concrete conscious constitute counts course criticism defined definitely determinate direct directly discriminating distinct distinguished division Dominant duration effect elements example exhibited experience expressive fact familiar feeling felt field follow formal fully function fundamental give given grasp grouping hence human indicated individual intelligible intensity interest intervals intrinsic involved knowledge least length less limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure suggested surface syllables systematic taken temporal pattern things tion Tonic variations various verse vibration whole