Esthetic AnalysisT.Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 13
Pagina 65
... rates of vibration vary inversely with the length of the vibrating string . That is to say , the vibrations of the half - lengths are at twice the rate of the whole , those of the thirds at three times this rate , those of the fifths at ...
... rates of vibration vary inversely with the length of the vibrating string . That is to say , the vibrations of the half - lengths are at twice the rate of the whole , those of the thirds at three times this rate , those of the fifths at ...
Pagina 71
David Wight Prall. Let us consider the rate of vibration giving the pitch of the fundamental to be x . Thus x vibrations per second gives the pitch of the Tonic . The halves of the string will vibrate at the rate 2x . This rate produces ...
David Wight Prall. Let us consider the rate of vibration giving the pitch of the fundamental to be x . Thus x vibrations per second gives the pitch of the Tonic . The halves of the string will vibrate at the rate 2x . This rate produces ...
Pagina 72
... vibration rate 4x is twice 2x , hence the Tonic over again . The vibration rate 5x gives us a pitch far above O , but dividing by 2 twice brings it down to 4 , a rate be- tween 1 and % . This is the rate corresponding to the pitch of ...
... vibration rate 4x is twice 2x , hence the Tonic over again . The vibration rate 5x gives us a pitch far above O , but dividing by 2 twice brings it down to 4 , a rate be- tween 1 and % . This is the rate corresponding to the pitch of ...
Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length loudness means Mediant merely musical scale nature notes obvious octave one-two particular perception phatically physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific strictly string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words