Esthetic AnalysisT.Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 30
Pagina 122
... words , and some of the more obvious requirements made by conventional English accent on particular syllables . The word sessions , for example , requires an accent on the first syllable ; it also requires more time for the second ...
... words , and some of the more obvious requirements made by conventional English accent on particular syllables . The word sessions , for example , requires an accent on the first syllable ; it also requires more time for the second ...
Pagina 127
... words . But to sing the song very much more slowly than the words would be spoken is the surest way to lose its own proper effect . That is , instead of being directly expressive , though a little sweeter and tenderer for the simple ...
... words . But to sing the song very much more slowly than the words would be spoken is the surest way to lose its own proper effect . That is , instead of being directly expressive , though a little sweeter and tenderer for the simple ...
Pagina 164
... words , conventional symbols , the mean- ing of which is to be found only in concrete non - verbal content . Art in other words presents meanings . When an indirect symbolic medium like language functions æsthetically , it is in two ...
... words , conventional symbols , the mean- ing of which is to be found only in concrete non - verbal content . Art in other words presents meanings . When an indirect symbolic medium like language functions æsthetically , it is in two ...
Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length loudness means Mediant merely musical scale nature notes obvious octave one-two particular perception phatically physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific strictly string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words