Shakespeare Without TearsWhittlesey House, McGraw-Hill Book Company, Incorporated, 1942 - 319 pagine "The resources of the library, the skill of the theatre technicians, the influence of individual creative talent among actors and directors, designers and musicians, all these must be fused into the "two hours' traffic of our stage". It will be the business of this book to suggest some bases from which this fusion may be effected, dealing firstly with the author himself, secondly with the general problems of Shakespearean acting and production as they confront us today, and lastly surveying in broad outline the dramatic values of the plays themselves."--p.17. |
Sommario
Chapter One FIRST PERSON SINGULAR | 3 |
Chapter Two INTRODUCING AN ENGLISHMAN | 18 |
Chapter Three BACKSTAGE IN 1600 | 29 |
Copyright | |
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accept action actors appearance audience become beginning better bring Burbage carry changed characters comedy comes course critics death difficult direction director early effect Elizabethan emotion English eyes fact Falstaff fear feel finally Folio follow force give HAMLET hand heart HENRY human imagination important interpretation John KING Lady later LEAR leave less light lines living look Lord lost Macbeth means MEASURE mind move never night once passion performance perhaps play plot possible present printed probably problems production Quarto reason Richard ROMEO scene seems sense Shakespeare simply soliloquy sometimes speak speech spirit stage stand stars theatre things thought tion tragedies turn whole writing written wrote young