Modern Painters, Volume 3

admiration Albert Durer Apennine artist asphodel meadows assuredly beauty beholder believe blue boughs castle of Chillon Chap chapter character clouds color contemplation Correggio Dante delicate delight divine drawing effect emotion endeavor engraving evil expression exquisite fact fallacy false fancy farther feeling finish flowers give grace grass Greek griffin grotesque heart high art Homer human form idea ideal ideal art Iliad imagination imitation instance instinct kind landscape less light look Madonna matter means medieval merely mind modern mountain nature never noble object observe painter painting passion pathetic fallacy Paul Veronese perfect person picture Plate pleasure poet poetical poetry possible Pre-Raphaelite present principles Raphael reader represented respect rocks scene seems seen sense shadow sight simple speak spirit stone Stones of Venice suppose sweet things thought tion Titian trees true truth Turner vulgar whole word