Meaning and Truth in the ArtsArchon Books, 1964 - 252 pagine |
Dall'interno del libro
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Pagina
... I. A. Richards , and The Meaning of Meaning by I. A. Richards and C. K. Ogden ; Harvard University Press , Philosophy in a New Key by S. K. Langer ; The Hogarth Press , Esthetics and Psychology by Charles Mauron ; Henry Holt and Company ...
... I. A. Richards , and The Meaning of Meaning by I. A. Richards and C. K. Ogden ; Harvard University Press , Philosophy in a New Key by S. K. Langer ; The Hogarth Press , Esthetics and Psychology by Charles Mauron ; Henry Holt and Company ...
Pagina 127
... I. A. Richards uses four different ones : sense , feeling , tone , and inten- tion.85 It seems to me , however , that some of these classifications overlap , and moveover are somewhat confused ; some of the dis- tinctions seem to refer ...
... I. A. Richards uses four different ones : sense , feeling , tone , and inten- tion.85 It seems to me , however , that some of these classifications overlap , and moveover are somewhat confused ; some of the dis- tinctions seem to refer ...
Pagina 141
... I. A. Richards defines truth in this sense as " the absence of any attempt on the part of the artist to work effects upon the reader which do not work for him- self . " A work of art is occasionally said to be " true " when it dis ...
... I. A. Richards defines truth in this sense as " the absence of any attempt on the part of the artist to work effects upon the reader which do not work for him- self . " A work of art is occasionally said to be " true " when it dis ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
In Painting | 38 |
PROPOSITIONAL TRUTH | 141 |
Copyright | |
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Parole e frasi comuni
artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Charles Mauron Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid images imaginative imitate important interest irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odyssey painter painting particular perception person plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words