Meaning and Truth in the ArtsArchon Books, 1964 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 27
Pagina 27
... appear on canvas . Thus , in the case of painting , the two orders of " material " occur in the same sense- modality . The principal stimulus to painting comes from what the painter , in imagination , sees ; but the principal stimulus ...
... appear on canvas . Thus , in the case of painting , the two orders of " material " occur in the same sense- modality . The principal stimulus to painting comes from what the painter , in imagination , sees ; but the principal stimulus ...
Pagina 51
... appear on the printed page as the figures in the painting do on the canvas - we must construct them out of the words and sen- tences ; nevertheless , through this symbolic medium of words , Tom Jones and a whole series of his adventures ...
... appear on the printed page as the figures in the painting do on the canvas - we must construct them out of the words and sen- tences ; nevertheless , through this symbolic medium of words , Tom Jones and a whole series of his adventures ...
Pagina 53
... appear . And where they do appear , the emotions are " in " the poem only to the extent that they charac- terize persons who appear in the poem . The poem thus does not literally contain emotions , although it may well have emotions as ...
... appear . And where they do appear , the emotions are " in " the poem only to the extent that they charac- terize persons who appear in the poem . The poem thus does not literally contain emotions , although it may well have emotions as ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
In Painting | 38 |
PROPOSITIONAL TRUTH | 141 |
Copyright | |
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artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Charles Mauron Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid images imaginative imitate important interest irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odyssey painter painting particular perception person plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words