Meaning and Truth in the ArtsArchon Books, 1964 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 26
Pagina 32
... appears on the American twenty - five - cent piece is purely conventional ; it indicates that the coin is valid ... appear in its true color , etc. ) , but in general the proportions of the figure on the coin resemble those of the actual ...
... appears on the American twenty - five - cent piece is purely conventional ; it indicates that the coin is valid ... appear in its true color , etc. ) , but in general the proportions of the figure on the coin resemble those of the actual ...
Pagina 53
... appear . And where they do appear , the emotions are " in " the poem only to the extent that they charac- terize persons who appear in the poem . The poem thus does not literally contain emotions , although it may well have emotions as ...
... appear . And where they do appear , the emotions are " in " the poem only to the extent that they charac- terize persons who appear in the poem . The poem thus does not literally contain emotions , although it may well have emotions as ...
Pagina 216
... appears in his work , qualify him to a position as a poet ? Is his vision of the world relevant to the merits of his poem ? Does it make him a better poet ? And again the answer is that if the poet wants to speak any truths about the ...
... appears in his work , qualify him to a position as a poet ? Is his vision of the world relevant to the merits of his poem ? Does it make him a better poet ? And again the answer is that if the poet wants to speak any truths about the ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
In Painting | 38 |
PROPOSITIONAL TRUTH | 141 |
Copyright | |
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Parole e frasi comuni
artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Charles Mauron Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid images imaginative imitate important interest irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odyssey painter painting particular perception person plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words