Meaning and Truth in the ArtsArchon Books, 1964 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 86
Pagina 17
... artist has ex- pressed , the feeling - tone of the work , the spirit the artist has achieved in his work , and whether or not the artist has given us , for example , a fine sensuous surface but has had " nothing sig- nificant to say ...
... artist has ex- pressed , the feeling - tone of the work , the spirit the artist has achieved in his work , and whether or not the artist has given us , for example , a fine sensuous surface but has had " nothing sig- nificant to say ...
Pagina 19
... artist to create his work . Certainly it cannot be denied that all the arts have material in this sense - in all the arts there are experiences of the artist which are relevant to and leading to the artistic creation , and without which ...
... artist to create his work . Certainly it cannot be denied that all the arts have material in this sense - in all the arts there are experiences of the artist which are relevant to and leading to the artistic creation , and without which ...
Pagina 193
... artist . To intuit these forms , to have the artist's vision , is as difficult an achievement as it is rare ; few things could be harder than to be the first to look at the world with new ... artist imitates or is true " ARTISTIC TRUTH " 193.
... artist . To intuit these forms , to have the artist's vision , is as difficult an achievement as it is rare ; few things could be harder than to be the first to look at the world with new ... artist imitates or is true " ARTISTIC TRUTH " 193.
Sommario
PRELIMINARY DISTINCTIONS | 3 |
In Painting | 38 |
PROPOSITIONAL TRUTH | 141 |
Copyright | |
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artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Charles Mauron Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid images imaginative imitate important interest irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odyssey painter painting particular perception person plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words