Meaning and Truth in the ArtsArchon Books, 1964 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 32
Pagina 135
... assertion is even made , and only assertions can logically contradict each other ; and on the other hand , if two statements in a poem do contradict each other , or if a word is left so ambiguous in the poem that it can be interpreted ...
... assertion is even made , and only assertions can logically contradict each other ; and on the other hand , if two statements in a poem do contradict each other , or if a word is left so ambiguous in the poem that it can be interpreted ...
Pagina 160
... asserted to be the case ; but what , in the case of colors and sounds , is being asserted ? How can they be said to ... assertion ( or implied proposi- 25. Wilbur M. Urban , Language and Reality , Chapter 10 , esp . pp . 498-500 . tion ) ...
... asserted to be the case ; but what , in the case of colors and sounds , is being asserted ? How can they be said to ... assertion ( or implied proposi- 25. Wilbur M. Urban , Language and Reality , Chapter 10 , esp . pp . 498-500 . tion ) ...
Pagina 161
... assertion implicitly within itself ? What kind of implication is here meant ? Is the implied proposition logically im- plied ? But if not logically , then how ? And what are the proposi- tion or propositions which are in each case ...
... assertion implicitly within itself ? What kind of implication is here meant ? Is the implied proposition logically im- plied ? But if not logically , then how ? And what are the proposi- tion or propositions which are in each case ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
In Painting | 38 |
PROPOSITIONAL TRUTH | 141 |
Copyright | |
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artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Charles Mauron Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid images imaginative imitate important interest irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odyssey painter painting particular perception person plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words