Meaning and Truth in the ArtsArchon Books, 1964 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 54
Pagina 93
... certainly say that it is not merely our verbal poverty which makes words so impotent to describe musical experiences . A million synonyms for " joy , " even if we knew exactly what they meant , would not suffice ; for , he would say ...
... certainly say that it is not merely our verbal poverty which makes words so impotent to describe musical experiences . A million synonyms for " joy , " even if we knew exactly what they meant , would not suffice ; for , he would say ...
Pagina 174
... certainly . In general he narrowed the faces , elongated the foreheads , dwelt upon the flame - like lights of the head , and refined the hands , too , until they become sensitized indicators of emotion and character . . . . The ...
... certainly . In general he narrowed the faces , elongated the foreheads , dwelt upon the flame - like lights of the head , and refined the hands , too , until they become sensitized indicators of emotion and character . . . . The ...
Pagina 211
... certainly be relevant accord- ing to more inclusive views . To take purely factual truths first : There are statements in novels which are perfectly prosaic statements of fact , quite in place in a statistical report , which yet can ...
... certainly be relevant accord- ing to more inclusive views . To take purely factual truths first : There are statements in novels which are perfectly prosaic statements of fact , quite in place in a statistical report , which yet can ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
In Painting | 38 |
PROPOSITIONAL TRUTH | 141 |
Copyright | |
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Parole e frasi comuni
artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Charles Mauron Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid images imaginative imitate important interest irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odyssey painter painting particular perception person plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words