Meaning and Truth in the ArtsArchon Books, 1964 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 44
Pagina 52
... colors and shapes on the canvas , the words and sentences in the poem - what Professor Greene calls the " primary medium . " For example , it is often said that there is much emotion in a work of music ; but this , surely , is not ...
... colors and shapes on the canvas , the words and sentences in the poem - what Professor Greene calls the " primary medium . " For example , it is often said that there is much emotion in a work of music ; but this , surely , is not ...
Pagina 53
... colors are , he is at any rate " representational content " in a way that nothing in music could ever be ; and I think we would have to add that common usage would certainly justify us in saying that the man is in the painting , even ...
... colors are , he is at any rate " representational content " in a way that nothing in music could ever be ; and I think we would have to add that common usage would certainly justify us in saying that the man is in the painting , even ...
Pagina 120
... color , line , and space to represent , express , or evoke . The sensory medium itself has a beauty all its own . Certain colors sit quietly side by side , others enhance each other ; certain lines are graceful , directive , and ...
... color , line , and space to represent , express , or evoke . The sensory medium itself has a beauty all its own . Certain colors sit quietly side by side , others enhance each other ; certain lines are graceful , directive , and ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
In Painting | 38 |
PROPOSITIONAL TRUTH | 141 |
Copyright | |
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artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Charles Mauron Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid images imaginative imitate important interest irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odyssey painter painting particular perception person plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words