Meaning and Truth in the ArtsArchon Books, 1964 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 36
Pagina 29
... common type of symbol is that which is gen- erally called a conventional or arbitrary symbol , which stands for its referent only by a common convention resulting from an ex- plicit stipulation of the meaning to be attached to it . Thus ...
... common type of symbol is that which is gen- erally called a conventional or arbitrary symbol , which stands for its referent only by a common convention resulting from an ex- plicit stipulation of the meaning to be attached to it . Thus ...
Pagina 220
... common usage for saying that these first - person experiences common to all of us are “ more real . " Some writers , particularly in philosophy , have used the word " reality " to indicate some realm " beyond " space and time and ...
... common usage for saying that these first - person experiences common to all of us are “ more real . " Some writers , particularly in philosophy , have used the word " reality " to indicate some realm " beyond " space and time and ...
Pagina 234
... common use of the word " knowledge " which we shall be very careful to avoid , for in my opinion it has given rise to the most terrible mistakes — I should even say , to the most fundamental mistake of the philosophy of all times . The ...
... common use of the word " knowledge " which we shall be very careful to avoid , for in my opinion it has given rise to the most terrible mistakes — I should even say , to the most fundamental mistake of the philosophy of all times . The ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
In Painting | 38 |
PROPOSITIONAL TRUTH | 141 |
Copyright | |
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artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Charles Mauron Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid images imaginative imitate important interest irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odyssey painter painting particular perception person plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words