Meaning and Truth in the ArtsArchon Books, 1964 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 34
Pagina 96
... course , is the " sadness " in the Eroica like the sadness of Tschai- kovsky's Pathétique or Beethoven's Cavatina from the Opus 130 quartet ) . Even with this hypothetical wealth of synonyms for af- fective states , there would still be ...
... course , is the " sadness " in the Eroica like the sadness of Tschai- kovsky's Pathétique or Beethoven's Cavatina from the Opus 130 quartet ) . Even with this hypothetical wealth of synonyms for af- fective states , there would still be ...
Pagina 145
... course , is the only art which makes statements at all , and literature would then be the only art to which the notion of truth would apply . Without inquiring at the moment what truth con- sits in or what it is that makes a statement ...
... course , is the only art which makes statements at all , and literature would then be the only art to which the notion of truth would apply . Without inquiring at the moment what truth con- sits in or what it is that makes a statement ...
Pagina 171
... course it is true that it is generally sound advice to tell an author not to resort to chance events to solve his plot ( not to resolve the situation with a deus ex machina , etc. ) , since once the floodgates are opened to this sort of ...
... course it is true that it is generally sound advice to tell an author not to resort to chance events to solve his plot ( not to resolve the situation with a deus ex machina , etc. ) , since once the floodgates are opened to this sort of ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
In Painting | 38 |
PROPOSITIONAL TRUTH | 141 |
Copyright | |
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artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Charles Mauron Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid images imaginative imitate important interest irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odyssey painter painting particular perception person plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words