Meaning and Truth in the ArtsArchon Books, 1964 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 45
Pagina 79
... criticism looks , " Gurney remarks , " ... we see how impossible it would be for a musician deliberately to work it up ... critics sometimes hardly understand the tenth part of what they talk about . Good heavens ! will the day ever come ...
... criticism looks , " Gurney remarks , " ... we see how impossible it would be for a musician deliberately to work it up ... critics sometimes hardly understand the tenth part of what they talk about . Good heavens ! will the day ever come ...
Pagina 212
... critics would not be so stringent in their requirements of artistic relevance ; most critics , I am sure , would say that the fact that a Rembrandt painting presents a strong , " true " characterization makes it a better painting ...
... critics would not be so stringent in their requirements of artistic relevance ; most critics , I am sure , would say that the fact that a Rembrandt painting presents a strong , " true " characterization makes it a better painting ...
Pagina 217
... critic in question ) that some work which presents these " truths " of perception or characterization may not be ... critics ) to- ward its being a work of art . And in this respect it is unlike plain facts or literal ( propositional ) ...
... critic in question ) that some work which presents these " truths " of perception or characterization may not be ... critics ) to- ward its being a work of art . And in this respect it is unlike plain facts or literal ( propositional ) ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
In Painting | 38 |
PROPOSITIONAL TRUTH | 141 |
Copyright | |
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artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Charles Mauron Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid images imaginative imitate important interest irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odyssey painter painting particular perception person plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words