Meaning and Truth in the ArtsArchon Books, 1964 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 31
Pagina 18
... described earlier in this chapter . ( I call it " esthetic form " rather than “ artistic form " because the forms described occur in nature , to a limited extent at least , as well as in works of art . ) This usage of the term is ...
... described earlier in this chapter . ( I call it " esthetic form " rather than “ artistic form " because the forms described occur in nature , to a limited extent at least , as well as in works of art . ) This usage of the term is ...
Pagina 26
... described in its three senses in the previous section : as a representation of an alleged historical event , as its plot , and as its theme . All these are " secondary . " The subject - matter of a work , in any of the above senses , is ...
... described in its three senses in the previous section : as a representation of an alleged historical event , as its plot , and as its theme . All these are " secondary . " The subject - matter of a work , in any of the above senses , is ...
Pagina 100
... described ; Bell defines it in terms of the " esthetic emotion " ( significant form being present when the esthetic emotion is aroused ) , but since he defines the esthetic emo- tion in terms of significant form ( the esthetic emotion ...
... described ; Bell defines it in terms of the " esthetic emotion " ( significant form being present when the esthetic emotion is aroused ) , but since he defines the esthetic emo- tion in terms of significant form ( the esthetic emotion ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
In Painting | 38 |
PROPOSITIONAL TRUTH | 141 |
Copyright | |
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artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Charles Mauron Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid images imaginative imitate important interest irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odyssey painter painting particular perception person plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words