Meaning and Truth in the ArtsArchon Books, 1964 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 80
Pagina 6
... esthetic is taken away . Many writers on esthetics , however , asserting that such a characterization of the esthetic at- titude does not go far enough , have tried to limit it or render it more precise in various ways . Some have ...
... esthetic is taken away . Many writers on esthetics , however , asserting that such a characterization of the esthetic at- titude does not go far enough , have tried to limit it or render it more precise in various ways . Some have ...
Pagina 7
... esthetic attitude is , to be sure , " a matter of degree " ; a given attitude may be more esthetic or less esthetic than another , and the esthetic and the non - esthetic gradually shade into each other ; there is a penumbra or twilight ...
... esthetic attitude is , to be sure , " a matter of degree " ; a given attitude may be more esthetic or less esthetic than another , and the esthetic and the non - esthetic gradually shade into each other ; there is a penumbra or twilight ...
Pagina 11
... esthetic form must fail and that no criteria for its presence can even be indicated . In any event , precisely what prin- ciples of form , if any , can be laid down do not really matter for our purposes ; I have suggested a few simply ...
... esthetic form must fail and that no criteria for its presence can even be indicated . In any event , precisely what prin- ciples of form , if any , can be laid down do not really matter for our purposes ; I have suggested a few simply ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
In Painting | 38 |
PROPOSITIONAL TRUTH | 141 |
Copyright | |
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artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Charles Mauron Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid images imaginative imitate important interest irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odyssey painter painting particular perception person plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words