Meaning and Truth in the ArtsArchon Books, 1964 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 18
Pagina 58
... existence by refusing to give a certain name to a phenomenon that has usually been designated by that name ; and in this way Professor Pratt might say that this passage did have " sense of finality " because he had so defined it . But ...
... existence by refusing to give a certain name to a phenomenon that has usually been designated by that name ; and in this way Professor Pratt might say that this passage did have " sense of finality " because he had so defined it . But ...
Pagina 119
... existence in the world outside of art ; " musical notes constitute one of those rare sensations which play no part in our active life . They are of no use , they mean nothing , and consequently they find no place in a utilitarian ...
... existence in the world outside of art ; " musical notes constitute one of those rare sensations which play no part in our active life . They are of no use , they mean nothing , and consequently they find no place in a utilitarian ...
Pagina 221
... existence " must be de- fined in terms of possible experience ? ) And if , on the other hand , we could experience it , then how could it be transcendent ? In any event , I do not see how any such " reality " could be of help to us in ...
... existence " must be de- fined in terms of possible experience ? ) And if , on the other hand , we could experience it , then how could it be transcendent ? In any event , I do not see how any such " reality " could be of help to us in ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
In Painting | 38 |
PROPOSITIONAL TRUTH | 141 |
Copyright | |
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artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Charles Mauron Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid images imaginative imitate important interest irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odyssey painter painting particular perception person plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words