Meaning and Truth in the ArtsArchon Books, 1964 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 63
Pagina 216
... give us , be- cause the very fact that they give us these things ( the " essences " discussed in Chapter VI ) entitles them to be called artists . That is to say , a part at least of the criteria which most critics would adopt in ...
... give us , be- cause the very fact that they give us these things ( the " essences " discussed in Chapter VI ) entitles them to be called artists . That is to say , a part at least of the criteria which most critics would adopt in ...
Pagina 224
... gives us a sense of reality , and to leave it at that , is assuredly to emaciate art : for anything whatever may give a sense of reality , depending on the person and the condition in which he finds himself . To say that art gives us a ...
... gives us a sense of reality , and to leave it at that , is assuredly to emaciate art : for anything whatever may give a sense of reality , depending on the person and the condition in which he finds himself . To say that art gives us a ...
Pagina 236
... give the answer . Let it express itself , give to it , too , a chance to communicate to us all that it can bring to our mind , to show us to its best advantage every one of its features , to tell us its own story , to bring to the ...
... give the answer . Let it express itself , give to it , too , a chance to communicate to us all that it can bring to our mind , to show us to its best advantage every one of its features , to tell us its own story , to bring to the ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
In Painting | 38 |
PROPOSITIONAL TRUTH | 141 |
Copyright | |
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artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Charles Mauron Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid images imaginative imitate important interest irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odyssey painter painting particular perception person plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words