Meaning and Truth in the ArtsArchon Books, 1964 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 64
Pagina 169
... human heart . If , as we read , we are convinced that this is how a human being could feel and has felt , however misguidedly , then we have poetic or imaginative truth . And to be convinced of this we must recognize the feeling as one ...
... human heart . If , as we read , we are convinced that this is how a human being could feel and has felt , however misguidedly , then we have poetic or imaginative truth . And to be convinced of this we must recognize the feeling as one ...
Pagina 173
... human life in the sense described . When we find some character or characteristic untrue to human nature , we consider it a serious flaw in the work . Hawthorne says some- where that the one principle which the literary artist must ...
... human life in the sense described . When we find some character or characteristic untrue to human nature , we consider it a serious flaw in the work . Hawthorne says some- where that the one principle which the literary artist must ...
Pagina 206
... human nature from reading Dostoyevsky ; but what do we know from seeing Cézanne or hearing Mozart ? There are propositions about human nature which we may be able to assert after reading Dostoyevsky , which we never could in the other ...
... human nature from reading Dostoyevsky ; but what do we know from seeing Cézanne or hearing Mozart ? There are propositions about human nature which we may be able to assert after reading Dostoyevsky , which we never could in the other ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
In Painting | 38 |
PROPOSITIONAL TRUTH | 141 |
Copyright | |
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artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Charles Mauron Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid images imaginative imitate important interest irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odyssey painter painting particular perception person plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words