Meaning and Truth in the ArtsArchon Books, 1964 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 26
Pagina 69
... images of the past fade , let them remain simply as a halo and suggestion of happiness hanging about a scene ; then ... image . . . . The two terms would be too independent , and the intrinsic values of each would remain distinct from ...
... images of the past fade , let them remain simply as a halo and suggestion of happiness hanging about a scene ; then ... image . . . . The two terms would be too independent , and the intrinsic values of each would remain distinct from ...
Pagina 127
... image . I. A. Richards uses four different ones : sense , feeling , tone , and inten- tion.85 It seems to me , however ... images , particularly metaphor , the central factor in all poetry , while others declare the metaphor is not ...
... image . I. A. Richards uses four different ones : sense , feeling , tone , and inten- tion.85 It seems to me , however ... images , particularly metaphor , the central factor in all poetry , while others declare the metaphor is not ...
Pagina 134
... images seem to " fit " with others , and some to " clash with " or " contradict " them : for example , we would doubt- less shrink from a juxtaposition of images such as , " To pass from the sunny fields of France into the pleasant ...
... images seem to " fit " with others , and some to " clash with " or " contradict " them : for example , we would doubt- less shrink from a juxtaposition of images such as , " To pass from the sunny fields of France into the pleasant ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
In Painting | 38 |
PROPOSITIONAL TRUTH | 141 |
Copyright | |
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Parole e frasi comuni
artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Charles Mauron Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid images imaginative imitate important interest irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odyssey painter painting particular perception person plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words