Meaning and Truth in the ArtsArchon Books, 1964 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 23
Pagina 196
... imagination . And yet it is often held that the imagination is the outstanding and distinguishing characteristic of artistic creation . Moreover , it is sometimes asserted that the truth which art presents is not " literal " truth but ...
... imagination . And yet it is often held that the imagination is the outstanding and distinguishing characteristic of artistic creation . Moreover , it is sometimes asserted that the truth which art presents is not " literal " truth but ...
Pagina 199
... imaginative experience ; for poetry is not a number of propositions , but the conveyance of imaginative prehension . The poet sees the world in a certain way ; thus has his imagination created it , and thus is it real to him , the world ...
... imaginative experience ; for poetry is not a number of propositions , but the conveyance of imaginative prehension . The poet sees the world in a certain way ; thus has his imagination created it , and thus is it real to him , the world ...
Pagina 202
... imagination , not a whimsical flight of fancy . The line between imagination and fancy may often be hard to draw in individual cases , and I know of no cut - and - dried rule for settling controversies about the issue.60 Yet we all do ...
... imagination , not a whimsical flight of fancy . The line between imagination and fancy may often be hard to draw in individual cases , and I know of no cut - and - dried rule for settling controversies about the issue.60 Yet we all do ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
In Painting | 38 |
PROPOSITIONAL TRUTH | 141 |
Copyright | |
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artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Charles Mauron Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid images imaginative imitate important interest irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odyssey painter painting particular perception person plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words