Meaning and Truth in the ArtsArchon Books, 1964 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 72
Pagina 3
... kind of experience which , though not com- pletely isolated from the rest of our experience , is sufficiently dis- tinct from it to deserve a special name , " esthetic . " What precisely is it that characterizes this kind of experience ...
... kind of experience which , though not com- pletely isolated from the rest of our experience , is sufficiently dis- tinct from it to deserve a special name , " esthetic . " What precisely is it that characterizes this kind of experience ...
Pagina 4
... kind of ex- perience which falls so clearly within the bounds of what has commonly been called " esthetic " that to ... kind of experience which we have - for example in art - appreciation - and defines the esthetic experience in terms ...
... kind of ex- perience which falls so clearly within the bounds of what has commonly been called " esthetic " that to ... kind of experience which we have - for example in art - appreciation - and defines the esthetic experience in terms ...
Pagina 72
... kind of crude pink comes to have vulgar associations because something in pinkness itself jars upon us .... The trumpet and the drum come to have martial associations because their quality , as apprehended through our organisms ...
... kind of crude pink comes to have vulgar associations because something in pinkness itself jars upon us .... The trumpet and the drum come to have martial associations because their quality , as apprehended through our organisms ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
In Painting | 38 |
PROPOSITIONAL TRUTH | 141 |
Copyright | |
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artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Charles Mauron Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid images imaginative imitate important interest irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odyssey painter painting particular perception person plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words