Meaning and Truth in the ArtsArchon Books, 1964 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 48
Pagina 59
... language of the emotions , " the truth of this statement depends on what it was intended to mean . If it means simply that music evokes certain effects that are unique and different from any which we would get elsewhere , then ( as we ...
... language of the emotions , " the truth of this statement depends on what it was intended to mean . If it means simply that music evokes certain effects that are unique and different from any which we would get elsewhere , then ( as we ...
Pagina 91
... language , not on any lack of relation between the states and events and situations which language normally describes and the musical experience . Language is particularly deficient in words describing emotional states , and has only ...
... language , not on any lack of relation between the states and events and situations which language normally describes and the musical experience . Language is particularly deficient in words describing emotional states , and has only ...
Pagina 126
... language with- out any reference to its meaning ; here speech is still a sort of music . At the other extreme lies ... language and the other not ( or less ) , for both use it to the full . But the language of exact science ...
... language with- out any reference to its meaning ; here speech is still a sort of music . At the other extreme lies ... language and the other not ( or less ) , for both use it to the full . But the language of exact science ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
In Painting | 38 |
PROPOSITIONAL TRUTH | 141 |
Copyright | |
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artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Charles Mauron Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid images imaginative imitate important interest irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odyssey painter painting particular perception person plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words