Meaning and Truth in the ArtsArchon Books, 1964 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 20
Pagina 22
... namely , in which we say that the subject- matter of the Odyssey is the adventures of Odysseus , or that the subject - matter of Manet's Olympia is a woman lying on her bed with a black cat . The subject - matter in this sense is ...
... namely , in which we say that the subject- matter of the Odyssey is the adventures of Odysseus , or that the subject - matter of Manet's Olympia is a woman lying on her bed with a black cat . The subject - matter in this sense is ...
Pagina 26
... namely that the latter is transformed or translated into the former : “ emotive - conative states , ” accord- ing to Professor Greene ( op . cit . , p . 60 ) , “ are translated into expressive musical patterns . " Now I am not sure just ...
... namely that the latter is transformed or translated into the former : “ emotive - conative states , ” accord- ing to Professor Greene ( op . cit . , p . 60 ) , “ are translated into expressive musical patterns . " Now I am not sure just ...
Pagina 200
... namely that truth - about is not the business of poetry to impart . We read De Rerum Natura as an imaginative synthesis , not as a document containing true or false statements . Professor James emphasizes this at various places ...
... namely that truth - about is not the business of poetry to impart . We read De Rerum Natura as an imaginative synthesis , not as a document containing true or false statements . Professor James emphasizes this at various places ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
In Painting | 38 |
PROPOSITIONAL TRUTH | 141 |
Copyright | |
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artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Charles Mauron Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid images imaginative imitate important interest irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odyssey painter painting particular perception person plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words