Meaning and Truth in the ArtsArchon Books, 1964 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 77
Pagina 27
... objects ( whatever else , in other sense - modalities , may be evoked by the sight of those objects ) , and visual objects are colored and extended ; and the primary materials of painting are colored and extended shapes as they appear ...
... objects ( whatever else , in other sense - modalities , may be evoked by the sight of those objects ) , and visual objects are colored and extended ; and the primary materials of painting are colored and extended shapes as they appear ...
Pagina 67
... objects express something to us , says Santayana , we remain aware of their affinities to what is not at the time perceived ; that is , we find in them a certain tendency and quality , not original to them , a meaning and a tone , which ...
... objects express something to us , says Santayana , we remain aware of their affinities to what is not at the time perceived ; that is , we find in them a certain tendency and quality , not original to them , a meaning and a tone , which ...
Pagina 187
... objects of which painting can reveal to us " essences . " Painting gives us these visual insights into objects of vision which are so general and all - pervasive that we would hardly be likely to think of them in this connection at all ...
... objects of which painting can reveal to us " essences . " Painting gives us these visual insights into objects of vision which are so general and all - pervasive that we would hardly be likely to think of them in this connection at all ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
In Painting | 38 |
PROPOSITIONAL TRUTH | 141 |
Copyright | |
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artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Charles Mauron Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid images imaginative imitate important interest irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odyssey painter painting particular perception person plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words