Meaning and Truth in the ArtsArchon Books, 1964 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 43
Pagina 47
... once how this case of " representation " or " symboliza- tion " is different from others mentioned above and to be men- tioned later . For by saying that La Mer represents the sea we can- not justifiably say any more than that it evokes ...
... once how this case of " representation " or " symboliza- tion " is different from others mentioned above and to be men- tioned later . For by saying that La Mer represents the sea we can- not justifiably say any more than that it evokes ...
Pagina 112
... once we have learned it , once we have grasped the insight , every repeti- tion of the experience is likely to be less strong . 63 61. Ibid . , pp . 321-22 . Vide also Walter Abell , Representation and Form . 62. Kenneth Burke , Counter ...
... once we have learned it , once we have grasped the insight , every repeti- tion of the experience is likely to be less strong . 63 61. Ibid . , pp . 321-22 . Vide also Walter Abell , Representation and Form . 62. Kenneth Burke , Counter ...
Pagina 199
... once receive and create an imaginative vision of the world ; a new world becomes acutely present to us , or , as Coleridge says , the poet makes us creators , after him , of such a new world . And to ask is Tintern Abbey true or false ...
... once receive and create an imaginative vision of the world ; a new world becomes acutely present to us , or , as Coleridge says , the poet makes us creators , after him , of such a new world . And to ask is Tintern Abbey true or false ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
In Painting | 38 |
PROPOSITIONAL TRUTH | 141 |
Copyright | |
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artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Charles Mauron Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid images imaginative imitate important interest irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odyssey painter painting particular perception person plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words