Meaning and Truth in the ArtsArchon Books, 1964 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 21
Pagina 190
... perception of the visual world . As T. E. Hulme says , " The artist dives into the inner flux , and comes back with ... perceive . It is as if the surface of our mind was a sea in a continual state of motion , that there were so many ...
... perception of the visual world . As T. E. Hulme says , " The artist dives into the inner flux , and comes back with ... perceive . It is as if the surface of our mind was a sea in a continual state of motion , that there were so many ...
Pagina 220
... perception ( though I do not see how one could make sense of such assertions but for the use of the spatial metaphors " beyond " and " outside " ) and have declared that the entire sensible world is " unreal . " Some of these writers ...
... perception ( though I do not see how one could make sense of such assertions but for the use of the spatial metaphors " beyond " and " outside " ) and have declared that the entire sensible world is " unreal . " Some of these writers ...
Pagina 230
... perceptions , which perceptions may be perceptions of factors in reality .... 16 Beethoven does not communicate to us his perceptions or his experi- ences . He communicates to us the attitude based on them . We may share with him that ...
... perceptions , which perceptions may be perceptions of factors in reality .... 16 Beethoven does not communicate to us his perceptions or his experi- ences . He communicates to us the attitude based on them . We may share with him that ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
In Painting | 38 |
PROPOSITIONAL TRUTH | 141 |
Copyright | |
4 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Charles Mauron Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid images imaginative imitate important interest irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odyssey painter painting particular perception person plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words